Carter Tutti Void Transverse Zipline
Carter Tutti Void - Transverse (2012) [MP3 V0].zip From mega.co.nz 93.28 MB Download carter tutti void files found Uploaded on TraDownload and all major free file sharing websites like 4shared.com, uploaded.to, mediafire.com and many others. Carter Tutti Void Transverse – Album Out Now CARTER TUTTI VOID ’s Transverse, a unique collaboration from Chris Carter & Cosey Fanni Tutti (Throbbing Gristle) and Nik Void (Factory Floor ) is out now on vinyl, CD and download. Complete your The Roundhouse collection. Discover what's missing in your The Roundhouse discography. Shop The Roundhouse Vinyl and CDs.
Boomkat Product Review:
The hugely anticipated album from Chris Carter, Cosey Fanni Tutti and Factory's Floor Nik Void finally arrives on Mute, and we're pleased to report it's even more than the sum of its parts, a really impressive record indeed. Void coaxes out of Chris & Cosey some of the most aggressive, motorik tendencies they've ever displayed outside of Throbbing Gristle across the four long pieces featured here, taken from a special live performance the trio gave as part of Short Circuit's Mute festival at London's Roundhouse last year. Whether or not you were present at the massively oversubscribed show - or If, like us, you spent the duration queuing unsuccessfully to get in - you need this document of a very special hook-up in your life. The shared predilections of the three individuals obviously come to the fore - rigid Teutonic rhythm, bursts of atonal noise, future-primitive incantations and an uncompromisingly dark, stark colour palette - but it's a hard release to classify, carried along by its own improvisational energy and momentum. For the most part its instrumental, save for the odd distorted bark, wail or chant from Nik or Cosey, who sound like nothing so much as a pair of lost tribespeople who've escaped from from the grooves of a Jon Hassell or David Toop record; Chris Carter's dirt-encrusted drum patterns and curdled electronics meanwhile remind us of Ike Yard's shamanic electro experiments, the destroyed techno of Pete Swanson and Vatican Shadow, the darkling kosmische of Monoton and the broken hypno-industrialism of Regis and Sandwell District. We expected Transverse to be a treat, but we never dared imagine it would sound as thrillingly contemporary and powerful as this.
Boomkat Product Review:
The hugely anticipated album from Chris Carter, Cosey Fanni Tutti and Factory's Floor Nik Void finally arrives on Mute, and we're pleased to report it's even more than the sum of its parts, a really impressive record indeed. Void coaxes out of Chris & Cosey some of the most aggressive, motorik tendencies they've ever displayed outside of Throbbing Gristle across the four long pieces featured here, taken from a special live performance the trio gave as part of Short Circuit's Mute festival at London's Roundhouse last year. Whether or not you were present at the massively oversubscribed show - or If, like us, you spent the duration queuing unsuccessfully to get in - you need this document of a very special hook-up in your life. The shared predilections of the three individuals obviously come to the fore - rigid Teutonic rhythm, bursts of atonal noise, future-primitive incantations and an uncompromisingly dark, stark colour palette - but it's a hard release to classify, carried along by its own improvisational energy and momentum. For the most part its instrumental, save for the odd distorted bark, wail or chant from Nik or Cosey, who sound like nothing so much as a pair of lost tribespeople who've escaped from from the grooves of a Jon Hassell or David Toop record; Chris Carter's dirt-encrusted drum patterns and curdled electronics meanwhile remind us of Ike Yard's shamanic electro experiments, the destroyed techno of Pete Swanson and Vatican Shadow, the darkling kosmische of Monoton and the broken hypno-industrialism of Regis and Sandwell District. We expected Transverse to be a treat, but we never dared imagine it would sound as thrillingly contemporary and powerful as this.
Boomkat Product Review:
The hugely anticipated album from Chris Carter, Cosey Fanni Tutti and Factory's Floor Nik Void finally arrives on Mute, and we're pleased to report it's even more than the sum of its parts, a really impressive record indeed. Void coaxes out of Chris & Cosey some of the most aggressive, motorik tendencies they've ever displayed outside of Throbbing Gristle across the four long pieces featured here, taken from a special live performance the trio gave as part of Short Circuit's Mute festival at London's Roundhouse last year. Whether or not you were present at the massively oversubscribed show - or If, like us, you spent the duration queuing unsuccessfully to get in - you need this document of a very special hook-up in your life. The shared predilections of the three individuals obviously come to the fore - rigid Teutonic rhythm, bursts of atonal noise, future-primitive incantations and an uncompromisingly dark, stark colour palette - but it's a hard release to classify, carried along by its own improvisational energy and momentum. For the most part its instrumental, save for the odd distorted bark, wail or chant from Nik or Cosey, who sound like nothing so much as a pair of lost tribespeople who've escaped from from the grooves of a Jon Hassell or David Toop record; Chris Carter's dirt-encrusted drum patterns and curdled electronics meanwhile remind us of Ike Yard's shamanic electro experiments, the destroyed techno of Pete Swanson and Vatican Shadow, the darkling kosmische of Monoton and the broken hypno-industrialism of Regis and Sandwell District. We expected Transverse to be a treat, but we never dared imagine it would sound as thrillingly contemporary and powerful as this.
Out of Stock
Boomkat Product Review:
The hugely anticipated album from Chris Carter, Cosey Fanni Tutti and Factory's Floor Nik Void finally arrives on Mute, and we're pleased to report it's even more than the sum of its parts, a really impressive record indeed. Void coaxes out of Chris & Cosey some of the most aggressive, motorik tendencies they've ever displayed outside of Throbbing Gristle across the four long pieces featured here, taken from a special live performance the trio gave as part of Short Circuit's Mute festival at London's Roundhouse last year. Whether or not you were present at the massively oversubscribed show - or If, like us, you spent the duration queuing unsuccessfully to get in - you need this document of a very special hook-up in your life. The shared predilections of the three individuals obviously come to the fore - rigid Teutonic rhythm, bursts of atonal noise, future-primitive incantations and an uncompromisingly dark, stark colour palette - but it's a hard release to classify, carried along by its own improvisational energy and momentum. For the most part its instrumental, save for the odd distorted bark, wail or chant from Nik or Cosey, who sound like nothing so much as a pair of lost tribespeople who've escaped from from the grooves of a Jon Hassell or David Toop record; Chris Carter's dirt-encrusted drum patterns and curdled electronics meanwhile remind us of Ike Yard's shamanic electro experiments, the destroyed techno of Pete Swanson and Vatican Shadow, the darkling kosmische of Monoton and the broken hypno-industrialism of Regis and Sandwell District. We expected Transverse to be a treat, but we never dared imagine it would sound as thrillingly contemporary and powerful as this.
Carter Tutti Void Incubate 2014
Available To Order (Estimated Shipping between 1-3 Working Days)
Carter Tutti Void Transverse Zip Codes
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
The hugely anticipated album from Chris Carter, Cosey Fanni Tutti and Factory's Floor Nik Void finally arrives on Mute, and we're pleased to report it's even more than the sum of its parts, a really impressive record indeed. Void coaxes out of Chris & Cosey some of the most aggressive, motorik tendencies they've ever displayed outside of Throbbing Gristle across the four long pieces featured here, taken from a special live performance the trio gave as part of Short Circuit's Mute festival at London's Roundhouse last year. Whether or not you were present at the massively oversubscribed show - or If, like us, you spent the duration queuing unsuccessfully to get in - you need this document of a very special hook-up in your life. The shared predilections of the three individuals obviously come to the fore - rigid Teutonic rhythm, bursts of atonal noise, future-primitive incantations and an uncompromisingly dark, stark colour palette - but it's a hard release to classify, carried along by its own improvisational energy and momentum. For the most part its instrumental, save for the odd distorted bark, wail or chant from Nik or Cosey, who sound like nothing so much as a pair of lost tribespeople who've escaped from from the grooves of a Jon Hassell or David Toop record; Chris Carter's dirt-encrusted drum patterns and curdled electronics meanwhile remind us of Ike Yard's shamanic electro experiments, the destroyed techno of Pete Swanson and Vatican Shadow, the darkling kosmische of Monoton and the broken hypno-industrialism of Regis and Sandwell District. We expected Transverse to be a treat, but we never dared imagine it would sound as thrillingly contemporary and powerful as this.
The mechanics of Transverse are simple. There is the pulse. There is the noise. There is the guitar, skewered and damaged as it is, and there is a voice. Together, these distinct elements are enough to awe and overwhelm, enough to get lost in or enough to run from. These forces are wielded by two of British electronic music's most enduring stalwarts, Chris Carter and Cosey Fanni Tutti, and one of the idiom's new pioneers, Nik Void of Factory Floor. The result is more industrial and harsher than anything that has yet come from Factory Floor and as viscerally engaging as anything Carter and Tutti have ever done.
Carter controls the beat and some electronics, keeping it disturbingly minimal throughout. The relentless kick is offset with scattered hi-hats and periodically swallowed up by pulsing bass. Void uses her guitar as a means to an end, removing any semblance of familiar tone and transforming it into a flailing whip of metallic timbre. Tutti adds some noises of her own and interjects with effected vocal abstractions, the recognizable presence of distorted humanity only serving to further deepen the unsettling sense of aural dystopia.
Transverse is rarely overtly aggressive, presenting rather an almost static body of sound that the listener has to move towards and eventually into. In the centre is always the pulse, the one tangible element, the anchor and the platform for all that is happening around it. From this base, it feels like any combination of textures is possible and there are endless numbers of shadowy crevices left to explore. In the hands of artists as confident and unflinching as these three, the scope for discovery and growth becomes infinite. The darkest of gems.
- Published /
Mon / 26Mar 2012 - Words /
Ian Maleney Share - Tracklist /
01. V1
02. V2
03. V3
04. V4
05. V4 Studio (Slap 1)